Artificial Pains in Artificial Feet

Monique Mouton

"I see photography as a very classical medium, with of course all kind of genres—portrait, abstract, science photography, and so on. What I am also interested in right now is the negative, since it seems that it is going to disappear soon. When I ask my nine-year-old daughter, “What’s a negative?” she can’t say, as she knows only digital photography." Thomas Ruff (interview Apeture) "The modern world develops a technology increasingly alienated from everyday experience. This is an effect of capitalism that restricts control of design to a small dominant class and its technical servants. The alienation has the advantage of opening up vast new territories for exploitation … [Read more...]

Utopia or Abeline?

Dottie Attie

"The category of the Utopian, then, besides its usual and justly depreciatory meaning, possesses this other meaning – which, far from being necessarily abstract and turned away from the world, is on the contrary centrally preoccupied with the world: that of going beyond the natural march of events." Ernst Bloch (The Principle of Hope) "Modernity today is not what it used to be." Peter Wagner "The propertied class and the proletarian class represent the same human alienation. But the former feels well and self-confirmed in this self-alienation. It knows this alienation and sees in it its own impotence and the reality of an inhuman existence”. Marx (The Holy Family) Several … [Read more...]

The Cunning of Unreason

Kon Trubkovich

"When, in the summer of 1953, that is, still during my university studies in Bonn, I read a recently published lecture by Heidegger from the year 1935, the Introduction to Metaphysics, the jargon, the choice of terminology and the style told me at once that the spirit of fascism was manifested in these motives, thoughts and phrases." Jurgen Habermas (conversation with Michaël Fœssel) "If we tried to establish the political doctrine that rises from Heidegger’s fundamental ontology, we might conclude that it is fundamentally totalitarian. In Heidegger’s philosophy, all social spheres are alienated from man and are but the means for man’s integration into the ruling order. Man does not … [Read more...]

The Predicament of Immanence

Heinrich Riebesehl, photography.

"I saw an angel in the marble and carved until I set him free." Michelangelo "Nature produces similarities; one need only think of mimicry. The highest capacity for producing similarities, however, is man’s. His gift for seeing similarity is nothing but a rudiment of the once powerful compulsion to become similar and to behave mimetically. There is perhaps not a single one of his higher functions in which his mimetic faculty does not play a decisive role." Walter Benjamin (On The Mimetic Faculty) The relationship of art and ideology is very complex. At the most rudimentary level the idea of agit-prop theatre, for example, is nothing except ideology. That is its intention. Does that … [Read more...]

I Can’t See The Back of My Head

Seher Shah

"The Germans will never forgive the Jews for Auschwitz." Zvi Rex "Bourgeois anti-Semitism has a specific economic purpose: to conceal domination in production." Adorno and Horkheimer "Mimetic desire does not always result in conflict, but it frequently does so for reasons that the tenth commandment makes evident. The object I desire in envious imitation of my neighbor is one he intends to keep for himself, to reserve for her own use; she will not let someone snatch it away without combat. My desire will be thwarted, but in place of accepting this and moving on toward another object, nine times out of ten my desire will resist this and become even more intense in imitating the desire … [Read more...]

The Stare of Empty Eyes

Mimmo Jodice, photography.

"All work is a crime." Herman Schuurman (1924) "Teaching is not a lost art, but the regard for it is a lost tradition." Jacques Barzun "Art is the tree of life...science is the tree of death." William Blake Jacques Barzun wrote a sort of fascinating small book titled The Use and Abuse of Art (echoing Nietzsche). It is interesting not least because of its clarity. Like Kenneth Clark, Barzun is terribly out of fashion. And yes, he's pretty conservative, too. But he is also a deeply perceptive observer of culture, at times. At the beginning of the book he writes, in light of Schiller's book on poetics... "What does Schiller tell us? First, that modern man is is split -- or as we … [Read more...]

Already Written

Simon van Til, photography.

"Dislocation can do the job of analysis {Le dépaysement fait office d'analyse}. Being a white man among the blacks is like being an analyst among the whites." Octave Mannoni "Guilt feelings may be considered a subtle form of death. Time passes by slowly, tearing us to pieces. We foresee a sentence already written out and unalterable. The event is unredeemable, almost like an ancient and cursed action." Giancarlo Signorini The role that aesthetics plays in the overall cultural drama of society is complex. Aesthetics affect everything and are often overlooked completely. I have been struck recently with how pervasive are the effects on a society without any real aesthetic … [Read more...]

The Knowledge of the Snake

Adrien Missika, photography and media.

"The mother’s silence—whatever reasons motivate it—is an experience that every child has in a repetitive way, an experience that will be fantasised as the mother’s refusal to offer the sound object that is a source of pleasure; moreover, this experience is very often something that the mother does not think that she has to justify, that she may impose without knowing that she is imposing it." Piera Aulagnier “The incomparable language of the death's-head: total expressionlessness- the black of the eye sockets- coupled with the most unbridled expression- the grinning rows of teeth.” Walter Benjamin "The knowledge to which the snake seduces, that of good and evil, is nameless. It … [Read more...]